Jane Austen

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Jane Austen

English novelist

Jane Austen

Born:
December 16, 1775 England
Died:
July 18, 1817 (aged 41) Winchester England
Notable Works:
“Emma” “Lady Susan” “Mansfield Park” “Northanger Abbey” “Persuasion” “Pride and Prejudice” “Sense and Sensibility”

Jane Austen, (born December 16, 1775, Steventon, Hampshire, England—died July 18, 1817, Winchester, Hampshire), English writer who first gave the novel its distinctly modern character through her treatment of ordinary people in everyday life She published four novels during her lifetime: (1811), (1813), (1814), and (1815) In these and in and (published together posthumously, 1817), she vividly depicted English middle-class life during the early 19th century Her novels defined the era’s novel of manners, but they also became timeless classics that remained critical and popular successes for over two centuries after her death

Life

Jane Austen was born in the Hampshire village of Steventon, where her father, the Reverend George Austen, was rector She was the second daughter and seventh child in a family of eight—six boys and two girls Her closest companion throughout her life was her elder sister, Cassandra; neither Jane nor Cassandra married Their father was a scholar who encouraged the love of learning in his children His wife, Cassandra (née Leigh), was a woman of ready wit, famed for her impromptu verses and stories The great family amusement was acting

Jane Austen’s lively and affectionate family circle provided a stimulating context for her writing Moreover, her experience was carried far beyond Steventon rectory by an extensive network of relationships by blood and friendship It was this world—of the minor landed gentry and the country clergy, in the village, the neighbourhood, and the country town, with occasional visits to Bath and to London—that she was to use in the settings, characters, and subject matter of her novels

Her earliest known writings date from about 1787, and between then and 1793 she wrote a large body of material that has survived in three manuscript notebooks: , , and These contain plays, verses, short novels, and other prose and show Austen engaged in the parody of existing literary forms, notably the genres of the sentimental novel and sentimental comedy Her passage to a more serious view of life from the exuberant high spirits and extravagances of her earliest writings is evident in , a short epistolary novel written about 1793–94 (and not published until 1871) This portrait of a woman bent on the exercise of her own powerful mind and personality to the point of social self-destruction is, in effect, a study of frustration and of woman’s fate in a society that has no use for her talents

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In 1802 it seems likely that Jane agreed to marry Harris Bigg-Wither, the 21-year-old heir of a Hampshire family, but the next morning changed her mind There are also a number of mutually contradictory stories connecting her with someone with whom she fell in love but who died very soon after Since Austen’s novels are so deeply concerned with love and marriage, there is some point in attempting to establish the facts of these relationships Unfortunately, the evidence is unsatisfactory and incomplete Cassandra was a jealous guardian of her sister’s private life, and after Jane’s death she censored the surviving letters, destroying many and cutting up others But Jane Austen’s own novels provide indisputable evidence that their author understood the experience of love and of love disappointed

The earliest of her novels published during her lifetime, , was begun about 1795 as a novel-in-letters called “Elinor and Marianne,” after its heroines Between October 1796 and August 1797 Austen completed the first version of , then called “First Impressions” In 1797 her father wrote to offer it to a London publisher for publication, but the offer was declined , the last of the early novels, was written about 1798 or 1799, probably under the title “Susan” In 1803 the manuscript of “Susan” was sold to the publisher Richard Crosby for £10 He took it for immediate publication, but, although it was advertised, unaccountably it never appeared

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Up to this time the tenor of life at Steventon rectory had been propitious for Jane Austen’s growth as a novelist This stable environment ended in 1801, however, when George Austen, then age 70, retired to Bath with his wife and daughters For eight years Jane had to put up with a succession of temporary lodgings or visits to relatives, in Bath, London, Clifton, Warwickshire, and, finally, Southampton, where the three women lived from 1805 to 1809 In 1804 Jane began but soon abandoned it In 1804 her dearest friend, Mrs Anne Lefroy, died suddenly, and in January 1805 her father died in Bath

Eventually, in 1809, Jane’s brother Edward was able to provide his mother and sisters with a large cottage in the village of Chawton, within his Hampshire estate, not far from Steventon The prospect of settling at Chawton had already given Jane Austen a renewed sense of purpose, and she began to prepare and for publication She was encouraged by her brother Henry, who acted as go-between with her publishers She was probably also prompted by her need for money Two years later Thomas Egerton agreed to publish , which came out, anonymously, in November 1811 Both of the leading reviews, the and the , welcomed its blend of instruction and amusement

Meanwhile, in 1811 Austen had begun , which was finished in 1813 and published in 1814 By then she was an established (though anonymous) author; Egerton had published in January 1813, and later that year there were second editions of and seems to have been the fashionable novel of its season Between January 1814 and March 1815 she wrote , which appeared in December 1815 In 1816 there was a second edition of , published, like , by Lord Byron’s publisher, John Murray (written August 1815–August 1816) was published posthumously, with in December 1817

The years after 1811 seem to have been the most rewarding of her life She had the satisfaction of seeing her work in print and well reviewed and of knowing that the novels were widely read They were so much enjoyed by the prince regent (later George IV) that he had a set in each of his residences, and , at a discreet royal command, was “respectfully dedicated” to him The reviewers praised the novels for their morality and entertainment, admired the character drawing, and welcomed the domestic realism as a refreshing change from the romantic melodrama then in vogue

For the last 18 months of her life, Austen was busy writing Early in 1816, at the onset of her fatal illness, she set down the burlesque (first published in 1871) Until August 1816 she was occupied with , and she looked again at the manuscript of “Susan” ()

In January 1817 she began , a robust and self-mocking satire on health resorts and invalidism This novel remained unfinished because of Austen’s declining health She supposed that she was suffering from bile, but the symptoms make possible a modern clinical assessment that she was suffering from Addison disease Her condition fluctuated, but in April she made her will, and in May she was taken to Winchester to be under the care of an expert surgeon She died on July 18, and six days later she was buried in Winchester Cathedral

Her authorship was announced to the world at large by her brother Henry, who supervised the publication of and There was no recognition at the time that regency England had lost its keenest observer and sharpest analyst; no understanding that a miniaturist (as she maintained that she was and as she was then seen), a “merely domestic” novelist, could be seriously concerned with the nature of society and the quality of its culture; no grasp of Jane Austen as a historian of the emergence of regency society into the modern world During her lifetime there had been a solitary response in any way adequate to the nature of her achievement: Sir Walter Scott’s review of in the for March 1816, where he hailed this “nameless author” as a masterful exponent of “the modern novel” in the new realist tradition After her death, there was for long only one significant essay, the review of and in the for January 1821 by the theologian Richard Whately Together, Scott’s and Whately’s essays provided the foundation for serious criticism of Jane Austen: their insights were appropriated by critics throughout the 19th century